Profil użytkownika truth24

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truth24 obserwuje co pisze ManuelaSpiegel
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truth24 obserwuje co pisze ManuelaSpiegel
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Ukryta strategia (2007)

Talking heads has never made better cinema. One day Tom Cruise WILL be world president and we will all happily do what he says.
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Odwaga i nadzieja (2006)

Unequipped intellectually and narratively to be anything more than an exercise in trauma by numbers. Embarrassingly lacks the courage of it's Deer Hunter convictions.
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Na gorąco (2007)

Media crossbreeding can't fill the vacuum as classical expertise deserts. Visible through the cracks of flawed technique is the raw power of the issue.
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Królestwo (2007)

Poor man's Michael Mann. This hollow testosterone wolf in timely geopolitical sheep's clothing is at least honest enough to degenerate into a numbing bloodbath.
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Battle Royale (2000)

Japans reoccurring nightmare of adolescent cruelty and generation politics writ large in this nihilistic fable. A ruthless Lord of the Flies endurance quiz show.
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THE VALLEY OF ELAH (Paul Haggis - 2008)

Without a single shot being fired the destructive reality of war is laid bare. Debut film growing pains are engulfed by complex engaging sincerity.
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FIRST BLOOD (Ted Kotcheff - 1982)

Even male adolescent action fantasies can posses a simmering anti-establishment rage. Shame Sly sold out quicker than kevlar on the first day of school.
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ELISABETH: THE GOLDEN YEARS (Shekhar Kapur - 2007)

The nation threatened, a leader isolated, violent religious division, fear of home grown enemies! Mirror to our contemporary situation or Pirates of the Elizabethan?
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CLOVERFIELD (Matt Reeves - 2008)

An MTV reality show being attacked by Godzilla. Every mainstream convention it follows steer it away from the nihilistic masterpiece it could have been.
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EASTERN PROMISES (David Cronenberg - 2007)

A brutally contemporary urban narrative delivered with precise and confident theatricality. It feels like Hitchcock directing the work of a twenty first century Dickens.
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THIS IS ENGLAND (Shane Meadows - 2006)

A period drama that trades in documentary authenticity. As relevant aportrait of England as you'll find. Genuinely hilarious and terrifying in equal measure.